𝙻𝙰 𝙷𝙾𝚁𝙰 𝙳𝙴 𝙻𝙰 —>𝙳𝙴𝚂𝙰𝙿𝙰𝚁𝙸𝙲𝙸𝙾𝙽 [𝟸𝟶𝟸𝟻]

𝚆𝙴𝙰𝙿𝙾𝙽𝚂 𝟸𝟶𝟸𝟻 𝚅𝙸𝚂𝙸𝚃𝙰 𝙴𝙻 𝚂𝙸𝚃𝙸𝙾 —>𝙿𝚁𝙴𝙲𝙸𝙾𝙽𝙰 𝙰𝚀𝚄𝙸

 𝙻𝚊 𝙷𝚘𝚛𝚊 𝚍𝚎 𝚕𝚊 𝙳𝚎𝚜𝚊𝚙𝚊𝚛𝚒𝚌𝚒ó𝚗 (𝚆𝚎𝚊𝚙𝚘𝚗𝚜, 𝟸𝟶𝟸𝟻)

𝙲𝚘𝚖𝚙𝚘𝚗𝚎𝚗𝚝𝚎 𝙴𝚟𝚊𝚕𝚞𝚊𝚌𝚒ó𝚗 𝚝é𝚌𝚗𝚒𝚌𝚊 𝙳𝚎𝚝𝚊𝚕𝚕𝚎𝚜 𝚌𝚛í𝚝𝚒𝚌𝚘𝚜

𝙶𝚞𝚒𝚘𝚗 / 𝙽𝚊𝚛𝚛𝚊𝚝𝚒𝚟𝚊 𝙰𝚖𝚋𝚒𝚌𝚒𝚘𝚜𝚘, 𝚏𝚛𝚊𝚐𝚖𝚎𝚗𝚝𝚊𝚍𝚘, 𝚌𝚘𝚗 𝚎𝚏𝚎𝚌𝚝𝚒𝚟𝚒𝚍𝚊𝚍 𝚎𝚗 𝚎𝚕 𝚖𝚒𝚜𝚝𝚎𝚛𝚒𝚘 𝙻𝚊 𝚑𝚒𝚜𝚝𝚘𝚛𝚒𝚊 𝚗𝚘 𝚜𝚎 𝚌𝚞𝚎𝚗𝚝𝚊 𝚍𝚎 𝚖𝚊𝚗𝚎𝚛𝚊 𝚕𝚒𝚗𝚎𝚊𝚕: 𝚟𝚊𝚛𝚒𝚊𝚜 𝚙𝚎𝚛𝚜𝚙𝚎𝚌𝚝𝚒𝚟𝚊𝚜 (𝚙𝚛𝚘𝚏𝚎𝚜𝚘𝚛𝚊, 𝚙𝚊𝚍𝚛𝚎, 𝚙𝚘𝚕𝚒𝚌í𝚊, 𝚎𝚜𝚝𝚞𝚍𝚒𝚊𝚗𝚝𝚎, 𝚎𝚝𝚌.) 𝚚𝚞𝚎 𝚟𝚊𝚗 𝚛𝚎𝚟𝚎𝚕𝚊𝚗𝚍𝚘 𝚙𝚊𝚛𝚝𝚎𝚜 𝚍𝚎𝚕 𝚛𝚘𝚖𝚙𝚎𝚌𝚊𝚋𝚎𝚣𝚊𝚜. 𝙴𝚜𝚝𝚘 𝚖𝚊𝚗𝚝𝚒𝚎𝚗𝚎 𝚕𝚊 𝚒𝚗𝚝𝚛𝚒𝚐𝚊. 

𝙰𝚌𝚝𝚞𝚊𝚌𝚒𝚘𝚗𝚎𝚜 𝙵𝚞𝚎𝚛𝚝𝚎𝚜 𝚎𝚗 𝚕𝚘𝚜 𝚙𝚛𝚘𝚝𝚊𝚐𝚘𝚗𝚒𝚜𝚝𝚊𝚜; 𝚜𝚎𝚌𝚞𝚗𝚍𝚊𝚛𝚒𝚘𝚜 𝚌𝚞𝚖𝚙𝚕𝚎𝚗 𝚋𝚒𝚎𝚗 𝙹𝚞𝚕𝚒𝚊 𝙶𝚊𝚛𝚗𝚎𝚛 𝚢 𝙹𝚘𝚜𝚑 𝙱𝚛𝚘𝚕𝚒𝚗 𝚍𝚎𝚜𝚝𝚊𝚌𝚊𝚗 𝚎𝚖𝚘𝚌𝚒𝚘𝚗𝚊𝚕𝚖𝚎𝚗𝚝𝚎. 𝙴𝚕 𝚗𝚒ñ𝚘 𝙰𝚕𝚎𝚡 𝚝𝚊𝚖𝚋𝚒é𝚗 𝚊𝚙𝚘𝚛𝚝𝚊 𝚖𝚞𝚌𝚑𝚘 𝚎𝚗 𝚕𝚊 𝚊𝚝𝚖ó𝚜𝚏𝚎𝚛𝚊 𝚍𝚎 𝚑𝚘𝚛𝚛𝚘𝚛 𝚙𝚜𝚒𝚌𝚘𝚕ó𝚐𝚒𝚌𝚘. 

𝙰𝚝𝚖ó𝚜𝚏𝚎𝚛𝚊 / 𝙰𝚖𝚋𝚒𝚎𝚗𝚝𝚊𝚌𝚒ó𝚗 𝙼𝚞𝚢 𝚕𝚘𝚐𝚛𝚊𝚍𝚊, 𝚌𝚘𝚗 𝚖𝚘𝚖𝚎𝚗𝚝𝚘𝚜 𝚖𝚊𝚌𝚊𝚋𝚛𝚘𝚜 𝙻𝚊 𝚊𝚖𝚋𝚒𝚎𝚗𝚝𝚊𝚌𝚒ó𝚗 𝚍𝚎 𝚞𝚗 𝚙𝚞𝚎𝚋𝚕𝚘 𝚊𝚙𝚊𝚛𝚎𝚗𝚝𝚎𝚖𝚎𝚗𝚝𝚎 𝚝𝚛𝚊𝚗𝚚𝚞𝚒𝚕𝚘 𝚙𝚎𝚛𝚘 𝚌𝚘𝚗 𝚊𝚕𝚐𝚘 𝚎𝚡𝚝𝚛𝚊ñ𝚘 𝚕𝚊𝚝𝚎𝚗𝚝𝚎; 𝚌á𝚖𝚊𝚛𝚊𝚜 𝚍𝚎 𝚜𝚎𝚐𝚞𝚛𝚒𝚍𝚊𝚍, 𝚌𝚊𝚜𝚊𝚜, 𝚌𝚊𝚕𝚕𝚎𝚜, 𝚕𝚊 𝚘𝚜𝚌𝚞𝚛𝚒𝚍𝚊𝚍; 𝚕𝚊 𝚕𝚞𝚣 𝚢 𝚜𝚘𝚖𝚋𝚛𝚊 𝚓𝚞𝚎𝚐𝚊𝚗 𝚖𝚞𝚌𝚑𝚘. 

𝙴𝚏𝚎𝚌𝚝𝚘𝚜 𝚟𝚒𝚜𝚞𝚊𝚕𝚎𝚜 / 𝙳𝚒𝚜𝚎ñ𝚘 𝚍𝚎 𝚙𝚛𝚘𝚍𝚞𝚌𝚌𝚒ó𝚗 𝙱𝚒𝚎𝚗 𝚒𝚗𝚝𝚎𝚐𝚛𝚊𝚍𝚘𝚜 𝚎𝚗 𝚐𝚎𝚗𝚎𝚛𝚊𝚕; 𝚊𝚕𝚐𝚞𝚗𝚊𝚜 𝚎𝚜𝚌𝚎𝚗𝚊𝚜 𝚖á𝚜 𝚒𝚖𝚙𝚊𝚌𝚝𝚊𝚗𝚝𝚎𝚜 𝚚𝚞𝚎 𝚘𝚝𝚛𝚊𝚜 𝙷𝚊𝚢 𝚎𝚜𝚌𝚎𝚗𝚊𝚜 𝚙𝚎𝚛𝚝𝚞𝚛𝚋𝚊𝚍𝚘𝚛𝚊𝚜, 𝚒𝚖á𝚐𝚎𝚗𝚎𝚜 𝚐𝚛𝚘𝚝𝚎𝚜𝚌𝚊𝚜, 𝚖𝚘𝚖𝚎𝚗𝚝𝚘𝚜 𝚟𝚒𝚘𝚕𝚎𝚗𝚝𝚘𝚜 𝚐𝚛á𝚏𝚒𝚌𝚘𝚜. 𝙽𝚘 𝚜𝚒𝚎𝚖𝚙𝚛𝚎 𝚍𝚎𝚙𝚎𝚗𝚍𝚎 𝚍𝚎𝚕 𝚎𝚜𝚙𝚎𝚌𝚝á𝚌𝚞𝚕𝚘, 𝚜𝚒𝚗𝚘 𝚍𝚎 𝚕𝚘 𝚚𝚞𝚎 𝚜𝚎 𝚜𝚞𝚐𝚒𝚎𝚛𝚎 𝚟𝚒𝚜𝚞𝚊𝚕𝚖𝚎𝚗𝚝𝚎. 

𝚂𝚘𝚗𝚒𝚍𝚘 / 𝙼ú𝚜𝚒𝚌𝚊 / 𝚂𝚞𝚜𝚙𝚎𝚗𝚜𝚘 𝚃𝚛𝚊𝚋𝚊𝚓𝚊𝚍𝚘; 𝚜𝚊𝚌𝚊 𝚟𝚎𝚗𝚝𝚊𝚓𝚊 𝚍𝚎 𝚕𝚘𝚜 𝚜𝚒𝚕𝚎𝚗𝚌𝚒𝚘𝚜 𝚢 𝚕𝚘𝚜 𝚜𝚘𝚗𝚒𝚍𝚘𝚜 𝚒𝚗𝚎𝚜𝚙𝚎𝚛𝚊𝚍𝚘𝚜 𝙷𝚊𝚢 𝚝𝚎𝚗𝚜𝚒ó𝚗 𝚜𝚘𝚗𝚘𝚛𝚊, 𝚞𝚜𝚘 𝚍𝚎 𝚛𝚞𝚒𝚍𝚘𝚜 𝚊𝚖𝚋𝚒𝚎𝚗𝚝𝚊𝚕𝚎𝚜, 𝚖𝚘𝚖𝚎𝚗𝚝𝚘𝚜 𝚍𝚎 𝚚𝚞𝚒𝚎𝚝𝚞𝚍 𝚚𝚞𝚎 𝚙𝚛𝚎𝚙𝚊𝚛𝚊𝚗 𝚎𝚕 𝚜𝚞𝚜𝚝𝚘; 𝚕𝚘𝚜 𝚓𝚞𝚖𝚙𝚜𝚌𝚊𝚛𝚎𝚜 𝚊𝚙𝚊𝚛𝚎𝚌𝚎𝚗, 𝚙𝚎𝚛𝚘 𝚗𝚘 𝚊𝚋𝚞𝚜𝚒𝚟𝚊𝚖𝚎𝚗𝚝𝚎. 

𝙻𝚘𝚗𝚐𝚒𝚝𝚞𝚍 / 𝚁𝚒𝚝𝚖𝚘 𝙰𝚕𝚐𝚘 𝚍𝚎𝚜𝚒𝚐𝚞𝚊𝚕; 𝚜𝚘𝚋𝚛𝚊𝚗𝚝𝚎𝚜 𝚎𝚗 𝚊𝚕𝚐𝚞𝚗𝚊𝚜 𝚙𝚊𝚛𝚝𝚎𝚜 𝙰𝚞𝚗𝚚𝚞𝚎 𝚖𝚊𝚗𝚝𝚒𝚎𝚗𝚎 𝚒𝚗𝚝𝚎𝚛é𝚜, 𝚑𝚊𝚢 𝚎𝚙𝚒𝚜𝚘𝚍𝚒𝚘𝚜 𝚒𝚗𝚒𝚌𝚒𝚊𝚕𝚎𝚜 𝚚𝚞𝚎 𝚝𝚊𝚛𝚍𝚊𝚗 𝚍𝚎𝚖𝚊𝚜𝚒𝚊𝚍𝚘 𝚎𝚗 𝚙𝚘𝚗𝚎𝚛𝚜𝚎 𝚎𝚗 𝚖𝚊𝚛𝚌𝚑𝚊. 𝙰𝚕𝚐𝚞𝚗𝚊𝚜 𝚛𝚎𝚙𝚎𝚝𝚒𝚌𝚒𝚘𝚗𝚎𝚜 𝚍𝚎 𝚒𝚗𝚏𝚘𝚛𝚖𝚊𝚌𝚒ó𝚗.

𝙵𝙾𝚁𝚃𝙰𝙻𝙴𝚉𝙰𝚂 / 𝙳𝙴𝙱𝙸𝙻𝙸𝙳𝙰𝙳𝙴𝚂

𝙵𝚘𝚛𝚝𝚊𝚕𝚎𝚣𝚊𝚜:

𝙼𝚒𝚜𝚝𝚎𝚛𝚒𝚘 𝚙𝚘𝚍𝚎𝚛𝚘𝚜𝚘 𝚢 𝚙𝚛𝚎𝚖𝚒𝚜𝚊 𝚒𝚗𝚚𝚞𝚒𝚎𝚝𝚊𝚗𝚝𝚎: 𝟷𝟽 𝚗𝚒ñ𝚘𝚜 𝚍𝚎𝚜𝚊𝚙𝚊𝚛𝚎𝚌𝚎𝚗 𝚊𝚕 𝚖𝚒𝚜𝚖𝚘 𝚝𝚒𝚎𝚖𝚙𝚘; 𝚜ó𝚕𝚘 𝚞𝚗𝚘 𝚚𝚞𝚎𝚍𝚊, 𝚕𝚘 𝚚𝚞𝚎 𝚌𝚛𝚎𝚊 𝚝𝚎𝚗𝚜𝚒ó𝚗 𝚒𝚗𝚖𝚎𝚍𝚒𝚊𝚝𝚊. 

𝙱𝚞𝚎𝚗 𝚎𝚕𝚎𝚗𝚌𝚘 𝚢 𝚙𝚎𝚛𝚜𝚘𝚗𝚊𝚓𝚎𝚜 𝚚𝚞𝚎 𝚝𝚛𝚊𝚗𝚜𝚖𝚒𝚝𝚎𝚗 𝚟𝚞𝚕𝚗𝚎𝚛𝚊𝚋𝚒𝚕𝚒𝚍𝚊𝚍, 𝚌𝚞𝚕𝚙𝚊, 𝚍𝚎𝚜𝚎𝚜𝚙𝚎𝚛𝚊𝚌𝚒ó𝚗. 

𝙼𝚎𝚣𝚌𝚕𝚊 𝚍𝚎 𝚑𝚘𝚛𝚛𝚘𝚛 𝚙𝚜𝚒𝚌𝚘𝚕ó𝚐𝚒𝚌𝚘, 𝚜𝚞𝚜𝚙𝚎𝚗𝚜𝚘, 𝚖𝚘𝚖𝚎𝚗𝚝𝚘𝚜 𝚐𝚛á𝚏𝚒𝚌𝚘𝚜 — 𝚗𝚘 𝚝𝚘𝚍𝚘 𝚍𝚎𝚙𝚎𝚗𝚍𝚎 𝚍𝚎 𝚜𝚞𝚜𝚝𝚘𝚜 𝚛á𝚙𝚒𝚍𝚘𝚜, 𝚜𝚒𝚗𝚘 𝚍𝚎 𝚊𝚝𝚖ó𝚜𝚏𝚎𝚛𝚊. 

𝚄𝚜𝚘 𝚍𝚎 𝚖ú𝚕𝚝𝚒𝚙𝚕𝚎𝚜 𝚙𝚎𝚛𝚜𝚙𝚎𝚌𝚝𝚒𝚟𝚊𝚜 𝚙𝚊𝚛𝚊 𝚍𝚎𝚜𝚊𝚛𝚖𝚊𝚛 𝚕𝚘 𝚚𝚞𝚎 𝚙𝚊𝚛𝚎𝚌𝚎 𝚜𝚒𝚖𝚙𝚕𝚎 𝚊𝚕 𝚙𝚛𝚒𝚗𝚌𝚒𝚙𝚒𝚘. 𝙴𝚜𝚝𝚘 𝚍𝚊 𝚌𝚊𝚙𝚊𝚜 𝚗𝚊𝚛𝚛𝚊𝚝𝚒𝚟𝚊𝚜. 

𝙳𝚎𝚋𝚒𝚕𝚒𝚍𝚊𝚍𝚎𝚜:

𝙳𝚞𝚛𝚊𝚌𝚒ó𝚗 𝚙𝚘𝚜𝚒𝚋𝚕𝚎𝚖𝚎𝚗𝚝𝚎 𝚎𝚡𝚌𝚎𝚜𝚒𝚟𝚊 𝚙𝚊𝚛𝚊 𝚕𝚘 𝚚𝚞𝚎 𝚟𝚊 𝚛𝚎𝚟𝚎𝚕𝚊𝚗𝚍𝚘; 𝚙𝚘𝚍𝚛í𝚊 𝚜𝚎𝚗𝚝𝚒𝚛𝚜𝚎 𝚕𝚎𝚗𝚝𝚊 𝚊𝚕 𝚙𝚛𝚒𝚗𝚌𝚒𝚙𝚒𝚘. 

𝙰𝚕𝚐𝚞𝚗𝚘𝚜 𝚓𝚞𝚖𝚙𝚜𝚌𝚊𝚛𝚎𝚜 𝚙𝚛𝚎𝚟𝚒𝚜𝚒𝚋𝚕𝚎𝚜, 𝚎𝚜𝚌𝚎𝚗𝚊𝚜 𝚚𝚞𝚎 𝚢𝚊 𝚜𝚎 𝚑𝚊𝚗 𝚟𝚒𝚜𝚝𝚘 𝚎𝚗 𝚘𝚝𝚛𝚘𝚜 𝚝𝚑𝚛𝚒𝚕𝚕𝚎𝚛𝚜 𝚍𝚎 𝚝𝚎𝚛𝚛𝚘𝚛; 𝚙𝚘𝚍𝚛í𝚊 𝚛𝚎𝚜𝚞𝚕𝚝𝚊𝚛 𝚖𝚎𝚗𝚘𝚜 𝚘𝚛𝚒𝚐𝚒𝚗𝚊𝚕 𝚙𝚊𝚛𝚊 𝚚𝚞𝚒𝚎𝚗𝚎𝚜 𝚢𝚊 𝚑𝚊𝚗 𝚟𝚒𝚜𝚝𝚘 𝚖𝚞𝚌𝚑𝚊𝚜 𝚙𝚎𝚕í𝚌𝚞𝚕𝚊𝚜 𝚍𝚎𝚕 𝚐é𝚗𝚎𝚛𝚘. 

𝚁𝚎𝚙𝚎𝚝𝚒𝚌𝚒ó𝚗 𝚍𝚎 𝚌𝚒𝚎𝚛𝚝𝚘𝚜 𝚑𝚒𝚕𝚘𝚜 𝚗𝚊𝚛𝚛𝚊𝚝𝚒𝚟𝚘𝚜 𝚘 𝚒𝚗𝚏𝚘𝚛𝚖𝚊𝚌𝚒ó𝚗 𝚚𝚞𝚎 𝚢𝚊 𝚏𝚞𝚎 𝚎𝚜𝚝𝚊𝚋𝚕𝚎𝚌𝚒𝚍𝚊 𝚌𝚕𝚊𝚛𝚊𝚖𝚎𝚗𝚝𝚎; 𝚛𝚎𝚜𝚝𝚊 𝚒𝚖𝚙𝚊𝚌𝚝𝚘 𝚎𝚗 𝚖𝚘𝚖𝚎𝚗𝚝𝚘𝚜 𝚍𝚎 𝚛𝚎𝚟𝚎𝚕𝚊𝚌𝚒ó𝚗 𝚜𝚒 𝚢𝚊 𝚜𝚎 𝚊𝚗𝚝𝚒𝚌𝚒𝚙𝚊𝚋𝚊 𝚊𝚕𝚐𝚘.

𝚂𝚄𝙱𝚃𝙴𝚇𝚃𝙾 𝚈 𝚃𝙴𝙼𝙰𝚂

𝙳𝚎𝚜𝚌𝚘𝚗𝚏𝚒𝚊𝚗𝚣𝚊 𝚎𝚗 𝚕𝚊 𝚊𝚞𝚝𝚘𝚛𝚒𝚍𝚊𝚍: 𝚕𝚘𝚜 𝚊𝚍𝚞𝚕𝚝𝚘𝚜, 𝚕𝚊 𝚒𝚗𝚜𝚝𝚒𝚝𝚞𝚌𝚒ó𝚗 𝚎𝚜𝚌𝚘𝚕𝚊𝚛, 𝚕𝚊 𝚙𝚘𝚕𝚒𝚌í𝚊, 𝚝𝚘𝚍𝚘𝚜 𝚙𝚞𝚎𝚜𝚝𝚘𝚜 𝚎𝚗 𝚍𝚞𝚍𝚊.

𝙼𝚒𝚎𝚍𝚘 𝚌𝚘𝚕𝚎𝚌𝚝𝚒𝚟𝚘: 𝚌ó𝚖𝚘 𝚞𝚗𝚊 𝚌𝚘𝚖𝚞𝚗𝚒𝚍𝚊𝚍 𝚛𝚎𝚊𝚌𝚌𝚒𝚘𝚗𝚊 𝚊𝚗𝚝𝚎 𝚕𝚘 𝚒𝚖𝚙𝚘𝚜𝚒𝚋𝚕𝚎, 𝚋𝚞𝚜𝚌𝚊𝚗𝚍𝚘 𝚌𝚞𝚕𝚙𝚊𝚋𝚕𝚎𝚜, 𝚝𝚎𝚘𝚛í𝚊𝚜, 𝚌𝚘𝚗𝚜𝚙𝚒𝚛𝚊𝚌𝚒𝚘𝚗𝚎𝚜.

𝙸𝚗𝚏𝚊𝚗𝚌𝚒𝚊 𝚢 𝚟𝚞𝚕𝚗𝚎𝚛𝚊𝚋𝚒𝚕𝚒𝚍𝚊𝚍: 𝚗𝚒ñ𝚘𝚜 𝚌𝚘𝚖𝚘 𝚟í𝚌𝚝𝚒𝚖𝚊𝚜; 𝚎𝚕 𝚒𝚖𝚙𝚊𝚌𝚝𝚘 𝚝𝚛𝚊𝚞𝚖á𝚝𝚒𝚌𝚘 𝚟𝚒𝚜𝚒𝚋𝚕𝚎; 𝚕𝚊 𝚒𝚗𝚘𝚌𝚎𝚗𝚌𝚒𝚊 𝚙𝚞𝚎𝚜𝚝𝚊 𝚊 𝚙𝚛𝚞𝚎𝚋𝚊.

𝙻𝚘 𝚌𝚘𝚝𝚒𝚍𝚒𝚊𝚗𝚘 𝚌𝚘𝚗𝚟𝚎𝚛𝚝𝚒𝚍𝚘 𝚎𝚗 𝚊𝚖𝚎𝚗𝚊𝚣𝚊: 𝚕𝚘 𝚗𝚘𝚛𝚖𝚊𝚕 (𝚌𝚊𝚜𝚊, 𝚎𝚜𝚌𝚞𝚎𝚕𝚊, 𝚕𝚊 𝚗𝚘𝚌𝚑𝚎) 𝚜𝚎 𝚝𝚘𝚛𝚗𝚊 𝚎𝚡𝚝𝚛𝚊ñ𝚘 𝚎 𝚒𝚗𝚚𝚞𝚒𝚎𝚝𝚊𝚗𝚝𝚎.

𝚂í𝚖𝚋𝚘𝚕𝚘 𝚍𝚎𝚕 “𝚊𝚛𝚖𝚊𝚖𝚎𝚗𝚝𝚘 𝚎𝚖𝚘𝚌𝚒𝚘𝚗𝚊𝚕 / 𝚙𝚜𝚒𝚌𝚘𝚕ó𝚐𝚒𝚌𝚘”: 𝚎𝚕 𝚝í𝚝𝚞𝚕𝚘 𝚘𝚛𝚒𝚐𝚒𝚗𝚊𝚕 𝚆𝚎𝚊𝚙𝚘𝚗𝚜 𝚜𝚞𝚐𝚒𝚎𝚛𝚎 𝚚𝚞𝚎 𝚕𝚘 𝚖á𝚜 𝚙𝚎𝚕𝚒𝚐𝚛𝚘𝚜𝚘 𝚙𝚞𝚎𝚍𝚎 𝚜𝚎𝚛 𝚊𝚕𝚐𝚘 𝚒𝚗𝚝𝚊𝚗𝚐𝚒𝚋𝚕𝚎: 𝚒𝚍𝚎𝚊𝚜, 𝚝𝚛𝚊𝚞𝚖𝚊𝚜, 𝚜𝚘𝚜𝚙𝚎𝚌𝚑𝚊𝚜.

𝚃í𝚝𝚞𝚕𝚘 𝚘𝚛𝚒𝚐𝚒𝚗𝚊𝚕: 𝚆𝚎𝚊𝚙𝚘𝚗𝚜  

𝚃í𝚝𝚞𝚕𝚘 𝚎𝚗 𝙻𝚊𝚝𝚒𝚗𝚘𝚊𝚖é𝚛𝚒𝚌𝚊: 𝙻𝚊 𝙷𝚘𝚛𝚊 𝚍𝚎 𝚕𝚊 𝙳𝚎𝚜𝚊𝚙𝚊𝚛𝚒𝚌𝚒ó𝚗  

𝙳𝚒𝚛𝚎𝚌𝚝𝚘𝚛 / 𝙶𝚞𝚒𝚘𝚗: 𝚉𝚊𝚌𝚑 𝙲𝚛𝚎𝚐𝚐𝚎𝚛  

𝙿𝚛𝚘𝚍𝚞𝚌𝚌𝚒ó𝚗: 𝚆𝚊𝚛𝚗𝚎𝚛 𝙱𝚛𝚘𝚜. 𝙿𝚒𝚌𝚝𝚞𝚛𝚎𝚜, 𝚁𝚘𝚢 𝙻𝚎𝚎, 𝚉𝚊𝚌𝚑 𝙲𝚛𝚎𝚐𝚐𝚎𝚛, 𝙼𝚒𝚛𝚒 𝚈𝚘𝚘𝚗, 𝙹. 𝙳. 𝙻𝚒𝚏𝚜𝚑𝚒𝚝𝚣 𝟶  

𝙳𝚞𝚛𝚊𝚌𝚒ó𝚗: 𝟸 𝚑 𝟾 𝚖𝚒𝚗 (≈ 𝟷𝟸𝟾-𝚖𝚒𝚗𝚞𝚝𝚎𝚜) 𝟷  

𝙵𝚘𝚝𝚘𝚐𝚛𝚊𝚏í𝚊: 𝙻𝚊𝚛𝚔𝚒𝚗 𝚂𝚎𝚒𝚙𝚕𝚎 𝟸  

𝙴𝚜𝚝𝚛𝚎𝚗𝚘: 𝟾 𝚍𝚎 𝚊𝚐𝚘𝚜𝚝𝚘 𝚍𝚎 𝟸𝟶𝟸𝟻 𝚎𝚗 𝙴𝙴.𝚄𝚄.; 𝟽-𝟾 𝚍𝚎 𝚊𝚐𝚘𝚜𝚝𝚘 𝚎𝚗 𝙻𝚊𝚝𝚒𝚗𝚘𝚊𝚖é𝚛𝚒𝚌𝚊 𝟹  

𝚁𝚎𝚙𝚊𝚛𝚝𝚘 𝚙𝚛𝚒𝚗𝚌𝚒𝚙𝚊𝚕: 𝙹𝚞𝚕𝚒𝚊 𝙶𝚊𝚛𝚗𝚎𝚛 (𝙹𝚞𝚜𝚝𝚒𝚗𝚎 𝙶𝚊𝚗𝚍𝚢), 𝙹𝚘𝚜𝚑 𝙱𝚛𝚘𝚕𝚒𝚗 (𝙰𝚛𝚌𝚑𝚎𝚛 𝙶𝚛𝚊𝚏𝚏), 𝙰𝚕𝚍𝚎𝚗 𝙴𝚑𝚛𝚎𝚗𝚛𝚎𝚒𝚌𝚑 (𝙿𝚊𝚞𝚕 𝙼𝚘𝚛𝚐𝚊𝚗), 𝙲𝚊𝚛𝚢 𝙲𝚑𝚛𝚒𝚜𝚝𝚘𝚙𝚑𝚎𝚛 (𝙰𝚕𝚎𝚡 𝙻𝚒𝚕𝚕𝚢), 𝙱𝚎𝚗𝚎𝚍𝚒𝚌𝚝 𝚆𝚘𝚗𝚐, 𝙰𝚖𝚢 𝙼𝚊𝚍𝚒𝚐𝚊𝚗, 𝚎𝚝𝚌. 𝟺  

𝙶é𝚗𝚎𝚛𝚘: 𝚃𝚎𝚛𝚛𝚘𝚛 / 𝚜𝚞𝚜𝚙𝚎𝚗𝚜𝚘 / 𝚖𝚒𝚜𝚝𝚎𝚛𝚒𝚘 𝚙𝚜𝚒𝚌𝚘𝚕ó𝚐𝚒𝚌𝚘 𝟻  

𝙲𝚕𝚊𝚜𝚒𝚏𝚒𝚌𝚊𝚌𝚒ó𝚗: 𝙿𝚊𝚛𝚊 𝚖𝚊𝚢𝚘𝚛𝚎𝚜 𝚍𝚎 𝟷𝟼-𝟷𝟽 𝚊ñ𝚘𝚜, 𝚟𝚒𝚘𝚕𝚎𝚗𝚌𝚒𝚊 𝚜𝚊𝚗𝚐𝚛𝚒𝚎𝚗𝚝𝚊, 𝚒𝚖á𝚐𝚎𝚗𝚎𝚜 𝚙𝚎𝚛𝚝𝚞𝚛𝚋𝚊𝚍𝚘𝚛𝚊𝚜, 𝚝𝚎𝚖𝚊 𝚘𝚜𝚌𝚞𝚛𝚘 𝟼

𝙲𝙾𝙽𝙲𝙻𝚄𝚂𝙸Ó𝙽

𝙻𝚊 𝙷𝚘𝚛𝚊 𝚍𝚎 𝚕𝚊 𝙳𝚎𝚜𝚊𝚙𝚊𝚛𝚒𝚌𝚒ó𝚗 𝚎𝚜 𝚞𝚗𝚊 𝚙𝚎𝚕í𝚌𝚞𝚕𝚊 𝚍𝚎 𝚝𝚎𝚛𝚛𝚘𝚛 / 𝚖𝚒𝚜𝚝𝚎𝚛𝚒𝚘 𝚚𝚞𝚎 𝚌𝚞𝚖𝚙𝚕𝚎 𝚌𝚘𝚗 𝚕𝚘 𝚚𝚞𝚎 𝚙𝚛𝚘𝚖𝚎𝚝𝚎: 𝚒𝚗𝚝𝚛𝚒𝚐𝚊, 𝚜𝚞𝚜𝚝𝚘, 𝚎𝚖𝚘𝚌𝚒ó𝚗 𝚢 𝚞𝚗 𝚊𝚖𝚋𝚒𝚎𝚗𝚝𝚎 𝚚𝚞𝚎 𝚜𝚎 𝚚𝚞𝚎𝚍𝚊 𝚌𝚘𝚗𝚝𝚒𝚐𝚘. 𝙽𝚘 𝚛𝚎𝚒𝚗𝚟𝚎𝚗𝚝𝚊𝚛á 𝚎𝚕 𝚐é𝚗𝚎𝚛𝚘, 𝚙𝚎𝚛𝚘 𝚕𝚘 𝚑𝚒𝚣𝚘 𝚜𝚞𝚢𝚘 𝚌𝚘𝚗 𝚏𝚞𝚎𝚛𝚣𝚊. 𝙴𝚜 𝚒𝚍𝚎𝚊𝚕 𝚜𝚒 𝚝𝚎 𝚐𝚞𝚜𝚝𝚊 𝚎𝚕 𝚝𝚎𝚛𝚛𝚘𝚛 𝚙𝚜𝚒𝚌𝚘𝚕ó𝚐𝚒𝚌𝚘, 𝚕𝚘 𝚒𝚗𝚚𝚞𝚒𝚎𝚝𝚊𝚗𝚝𝚎, 𝚎𝚜𝚎 𝚌𝚒𝚗𝚎 𝚚𝚞𝚎 𝚝𝚎 𝚑𝚊𝚌𝚎 𝚙𝚎𝚗𝚜𝚊𝚛 𝚖𝚒𝚎𝚗𝚝𝚛𝚊𝚜 𝚝𝚎 𝚜𝚘𝚋𝚛𝚎𝚜𝚊𝚕𝚝𝚊.

¿𝙳𝙾𝙽𝙳𝙴 𝚅𝙴𝚁𝙻𝙰?

<𝙻𝙸𝙽𝙺—>𝙰𝚁𝚁𝙸𝙱𝙰>